She does not approach artistic direction as authorship, but as a practice of facilitation and tension, holding space for artists, ideas and contradictions to coexist. Her work builds artist-centred ecosystems grounded in long-term relationships, where creation is not reduced to production, and where time, attention and trust are part of the artistic material.
Operating as a hyphen between contexts, disciplines and geographies, she engages with practices that resist categorisation, between dance, performance, discourse, pedagogy and social formats. She has a particular interest in genre-defying works and formats, regardless of scale, and in practices that challenge socio-political imperatives and relational structures. Her interest lies not in defining forms, but in creating the conditions for them to emerge, shift and contaminate one another.
She is particularly interested in festivals and cultural platforms as spaces of conviviality: temporary ecologies where artistic, social, everyday and sometimes even ritual or mystical experiences can coexist. Beyond presentation, she is drawn to formats that create time for encounter, hospitality, collective presence and unexpected forms of knowledge exchange.
Her work is politically grounded without becoming declarative.
Questions of equity, feminism, anti-racism and anti-fascism are structural, embedded in how programmes are built, how institutions function and how relationships are sustained.
She understands festivals and institutions as spaces of friction and proximity, where different realities are brought into contact: not to resolve differences, but to hold them, expose them and allow something else to emerge.
Working across different scales, from large public programmes to intimate contexts of research and exchange, she engages with hybrid and post-disciplinary practices, between dance, performance, sound, discourse, social formats and pedagogy, expanding how artistic work is produced and experienced making space for what cannot yet be named, with clear vision.
Programming
dance · theatre · performance · interdisciplinary work · socially engaged practices · emerging and established artists
Scale
black box studios · mid-size venues · 800-seat auditoriums · citywide festivals · multi-venue ecosystems
Approach
artist-centred · internationally connected · politically aware · aesthetically rigorous
